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              <text>Lissa Mitchell, Curator of Historical Documentary Photography at Museum of New Zealand Te Papa Tongarewa, explores the work of three photographers creating autochromes in early 20th-century New Zealand.&lt;br /&gt;&lt;a href="http://publicdomainreview.org/collections/autochromes-from-the-te-papa-collection/" target="_blank"&gt;http://publicdomainreview.org/collections/autochromes-from-the-te-papa-collection/&lt;/a&gt;</text>
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                <text>&lt;a href="http://collections.tepapa.govt.nz/" target="_blank"&gt;http://collections.tepapa.govt.nz/&lt;/a&gt;</text>
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                <text>Collections Online has information on over 500,000 artworks, objects and specimens from Te Papa’s collections, from dinosaur teeth to contemporary art, as well as information on people, places, topics, species, and research from our curators.</text>
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                    <text>Portrait of the Printer Cyprien-Charles-Marie Nicolas Gaulon (Portrait de L’Imprimeur Gaulon), ca. 1825-1826</text>
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                    <text>Lithograph on wove paper&#13;
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First state&#13;
&#13;
Dimensions (image): 265 mm x 208 mm (10.43 in. x 8.19 in.)&#13;
&#13;
Dimensions (sheet): 285 mm x 232 mm (11.22 in. x 9.13 in.)&#13;
&#13;
Edition: One other known copy in this first state: Bibliothèque Nationale, ex coll: Eugène Delacroix; second state is in the collection of the Museum Lázaro-Galdiano, Madrid&#13;
&#13;
Bibliography: Loys Delteil 284; Tomás Harris 282; Sayre 256; Jonathan Brown, I am still learning: Goya’s Last Works (New York: The Frick Collection, 2006), cat. no. 27, p. 16; Stephanie Loeb Stepanek, Frederick Ilchman, and Janis A. Tomlinson, Goya: Order &amp; Disorder (Boston: Museum of Fine Arts, 2014), cat. no. 128, reproduced p. 205.&#13;
&#13;
Accession number: 1957.4.1&#13;
&#13;
Olin Library transfer, 1957&#13;
&#13;
Object Type: Prints</text>
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              <text>Rob Lancefield&lt;br /&gt;Manager of Museum Information Services&lt;br /&gt;Davison Art Center, Wesleyan University&lt;br /&gt;&lt;a href="http://www.wesleyan.edu/dac/about/staff-contact.html"&gt;http://www.wesleyan.edu/dac/about/staff-contact.html&lt;/a&gt;</text>
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                <text>Publication-quality images of collection objects from the Davison Art Center, Wesleyan University, with no known copyright restrictions. Approximately 4,590 images, so far chiefly of Dutch, German, French, Italian, Spanish, and British prints, with more to come from the DAC collection of 25,000 works of art on paper. Registration not required. DAC Open Access Images have no known copyright restrictions, and &lt;a href="https://creativecommons.org/publicdomain/zero/1.0/"&gt;CC0&lt;/a&gt; metadata is downloadable as &lt;a href="http://www.lido-schema.org/"&gt;LIDO&lt;/a&gt; from object pages. Open access policy is at &lt;a href="http://www.wesleyan.edu/dac/openaccess" target="_blank"&gt;http://www.wesleyan.edu/dac/openaccess&lt;/a&gt;.</text>
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              <text>Pat Hadley, Sarah King and Stuart Ogilvy from The Yorkshire Museum (York Museums Trust), present a fascinating selection of photographs from the collection of Tempest Anderson, the pioneering Victorian volcanologist.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://openglam.org/2015/08/06/tempest-anderson-pioneer-of-volcano-photography/"&gt;http://openglam.org/2015/08/06/tempest-anderson-pioneer-of-volcano-photography/&lt;/a&gt;</text>
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Biology&#13;
Costume and Textiles&#13;
Decorative Arts&#13;
Fine Art&#13;
Geology&#13;
Military History&#13;
Numismatics&#13;
Photographs&#13;
Social History</text>
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martin.fell@ymt.org.uk</text>
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              <text>Hanna-Leena Paloposki, chief curator and archive- and library manager at the Finnish National Gallery, presents a selection from the gallery&amp;rsquo;s collection of Daniel Nyblin glass negatives, a collection comprised of the photographer&amp;rsquo;s lesser known images of artworks. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://openglam.org/2015/07/07/daniel-nyblins-glass-negatives-of-artworks/"&gt;http://openglam.org/2015/07/07/daniel-nyblins-glass-negatives-of-artworks/&lt;/a&gt;</text>
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                <text>To mark the Open Knowledge Festival week (17.–22.9.2012), the Finnish National Gallery’s Central Art Archives is issuing a data set comprising its unique collection of glass negatives by prominent early photographer Daniel Nyblin (1856–1923), plus descriptive information.&#13;
&#13;
The Central Art Archives is a diversified information centre which collects and stores material on the visual arts, focusing on Finland. This will be the first time it makes any of its database content publicly available.&#13;
&#13;
Daniel Nyblin was born in Norway but in 1875 moved to Finland, where he became one of the country’s leading and most productive photographers around the turn of the 19th century. As well as photographing people and scenery, he recorded on glass negatives what were often newly completed or first-exhibited Finnish art works. It is specifically these items, dating from 1879 to 1904, that form the Archives' Nyblin collection.&#13;
&#13;
For each work, a new digital negative was produced by photographing Nyblin’s original glass; in each case, a positive was then produced of the whole image. The data set will be made accessible on September, 17th, 2012.&#13;
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Artists’ works still covered by copyright cannot be included in an open-access data set. The data set now made available will be published under Creative Commons Attribution-ShareAlike 3.0 Unported (CC BY-SA3.0) license.</text>
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                <text>&lt;a href="http://www.lahteilla.fi/nyblin-data/index_en.html"&gt;http://www.lahteilla.fi/nyblin-data/index_en.html&lt;/a&gt;</text>
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                <text>CC BY-SA</text>
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